2006 oil and mixed media on archival paper 100 x 100cm -Sold-
2006 oil and pencil on archival paper 100 x 100cm, -Sold-
2006 oil on Belgian linen 30 x 30cm -Sold-
2007 oil on Belgian linen 122 x 122cm, -Sold,- Finalist Archibald Prize
2009 oil on Belgian linen 152 x 152cm, Sold
2010 45 x 45cm oil on Belgian linen Sold
2012 oil on board 90 x 60cm, -Sold-
2012-2014 oil on Belgian linen 152 x 152cm, Doug Moran Portrait Prize Finalist, $30,000
2013 oil on canvas 30 x 20cm, -Sold-, NB: Sold as part of a set
2013
2014 oil on canvas 120 x 110cm, -Sold-
2015 oil on Belgian linen 142 x 132cm, -Sold-, Archibald Prize entry 2015
2011 oil on canvas 30 x 20cm
“Like a favourite artist, Otto Dix, I believe portraits are only worth painting when there is an intuitive sense of some inordinate major changes looming in the subject’s life. That’s when the person is caught in their own headlights, exhibiting vulnerabilities that only last for so long until they regain their balance.” – Richard Dunlop 2002
“As the word itself implies, vision is a matter of seeing, and seeing comes from looking; if an artist has the potential for any kind of original vision, it will be found only by patient and humble attention, and the concomitant, simultaneous effort to crystallise what is understood in concrete form. For what is ultimately seen is through rather than on the surface of things, and the artist must reshape the world to make visible what he has perceived by intuition.” – Christopher Allen 2014