2003

Night at the Opera — 2003 oil on Belgian linen 168 x 168cm, Sold

Memorial Wreath (Crowns of the King and Queen) — 2003 oil on Belgian linen 170 x 170cm, Sold

Bramble — 2003 oil on Belgian linen 122 x 122cm, Sold

Arbour — 2003 oil on Belgian linen 170 x 240cm, Sold

National Park — 2003 oil on canvas 170 x 170cm, Sold

Jacaranda — 2003 oil on Belgian linen 122 x 122cm, Sold

Pods — 2003 oil on Belgian linen 170 x 170cm, $24,000

Botanical — 2003 oil on Belgian linen 170 x 170cm (detail shown), Sold

November Wreath — 2003 oil on Belgian linen 120 x 120cm, Sold

Pollen — 2003 oil on Belgian linen 160 x 170cm, Sold

Pollen — 2003 oil on Belgian linen 170 x 170cm (detail shown), Sold

Purple Wreath — 2003 oil on Belgian linen 170 x 170cm (detail shown), Sold

Sapling Forest — 2003 oil on Belgian linen 120 x 120cm, Sold

Sapling Forest with Burnt Trunk — 2003 oil on Belgian linen 120 x 120cm, Sold

Wattle — 2003 oil on Belgian linen 170 x 170cm (detail shown), Sold

White Indian Canoe (for Peter Doig) — 2003 oil on Belgian linen 30 x 30cm, Sold

Waterline: The Water is Alive with Fish — 2003 oil on canvas 91 x 91cm, Sold

Eastern Romantic landscape - Pond and Pollen 1 — 2003 oil on canvas 90.5 x 90.5cm, Sold

Eastern Romantic Landscape - Pond and Pollen 2 — 2003 oil on canvas 90.5 x 90.5cm, Sold

Eastern Romantic Landscape - Pond and Pollen 3 — 2003 oil on canvas 90.5 x 90.5cm, Sold

Eastern Romantic Landscape - Pond and Pollen 4 — 2003 oil on canvas 90.5 x 90.5cm, Sold

Still Life with Joe's Pots, Falling Pollen and Goldfish — 2003 oil on Belgian linen 119 x 119cm, Sold

Garden Through the Bamboo Curtain — 2003 oil on wood 30 x 180cm, Sold

Gingko Through the Bamboo Curtain — 2003 oil on wood 30 x 180cm, Sold

The Floating Garden — 2003 oil on wood 30 x 180cm, Sold

The Floating Garden 2 — 2003 oil on wood 180 x 30cm, Sold

Pumpkin Vine Architecture — 2003 oil on wood 30 x 180cm, Sold

Genuine Redhead with Pubic Tattoo (No Boys in the Room) — 2003 oil on canvas 90 x 140cm, $9,000

“Dunlop strives for timelessness with his art. Each work resists periodisation by virtue of the sensation that its own image may not even belong to this or any other world; may exist above all for itself, or that its secrets will not be revealed lightly. Beyond the window of these paintings is a plane of consistency, where the one constant is the artist’s idiosyncratic coding of the infinite – light years away in our own back yard.” – Gilbert Meadowcroft, 2003

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