2018 oil on board 60 x 90cm Finalist, Bruny Island Art Prize, $7,000
1986-1998 oil on Belgian linen 119 x 119cm, $9,000
1986-1998 oil on Belgian linen 119 x 119cm, $9,000
1992 oil on canvas 15 x 15cm, Sold
oil on canvas 25 x 40cm
oil on canvas 25 x 40cm
1995 oil on Belgian linen 31 x 29cm, Sold
1995 oil on canvas 180 x 180cm, Sold
1999 oil on canvas 15 x 25cm, Sold
1993 oil on primed archival paper 56 x 76cm, Sold
2008 oil on Belgian linen 60 x 60cm, Sold
2008 oil on Belgian linen 60 x 60cm, Sold
2009 oil on canvas on board 20 x 20cm, Sold
2009 20 x 20cm oil on canvas on board, Sold
2010 oil on Belgian linen 115 x 200cm, Sold
2010 oil on Belgian linen 20 x 120cm, Sold
2010 oil on Belgian linen 45 x 45cm, Sold
2010 oil on Belgian linen 45 x 45cm, Sold
2010 oil on canvas 20 x 30cm, Sold
2010 oil on wood 20 x 35cm, Sold
2011 oil on wood 60 x 90cm, Sold
2011 oil on wood 35 x 200cm, Winner, Paintings Category, Waterhouse Prize 2012, Sold
2011 oil on Belgian linen 122 x 152cm, $15,000
2011 oil on Belgian linen 200 x 115cm, $18,000
2011 oil on Belgian linen 152 x 152cm, in gilded frame, $30,000
2011 oil on Belgian linen 180 x 300cm, $35,000
2011 oil on canvas 40 x 40cm, Sold
2011 oil on canvas 45 x 45cm, Sold
2011-2015 oil on Belgian linen 122x 122cm, $14,000
2012 oil on board 30 x 180cm, Sold
2012 oil on Belgian linen 15 x 25cm, Sold
2012 oil on antique Baker’s paddle 2m in height, Sold
2012 oil on antique wooden paddle, 200cm in length, $1,500
2012 oil on Belgian linen 152 x 152cm, $25,000
2013 oil on board 120 x 180xm, Winner, Paintings Category, Waterhouse Prize 2014, $20,000
2013 oil on Belgian linen 91 x 91cm, $9,000
2015 oil on wood in hand gilded frame 90 x 60cm, Finalist, Waterhouse Natural History Prize, $6,500
1998-2018 oil on Belgian linen 30 x 30cm, Sold
1998-2018 oil on Belgian linen 30 x 30cm, Sold
1998-2018 oil on Belgian linen 30 x 30cm, Sold
1998-2018 oil on Belgian linen 30 x 30cm, Sold
“Animals, and in particular, rhinoceros beetles are a recurring image in Richard Dunlop’s paintings where they intersect with themes of taxonomy, museology and changing identities and histories. Richard’s paintings represent traces of unreliable memories, circumstantial evidence and documentation of people, objects and events.”– Ian Galloway (Director, Queensland Museum), 2005
“The young pointer can no more know that he points to aid his master, than the white butterfly knows why she lays her eggs on the leaf of the cabbage. I cannot see that these actions differ essentially from true instincts.” – Charles Darwin, 1859 On the Origin of the Species by Means of Natural Selection
“Dunlop’s enduring response to the idea of connection, and as connected sentient beings humanity’s responsibility to be the good gardeners of our environments. This is a quiet missive, rather than a political statement and as such it resonates deeply with the viewer, like an experience of beauty that is felt rather than rationally understood.” – Marguerite Brown Curator MFA