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1992 oil on canvas 15 x 15cm, Sold
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1995 oil on canvas 25 x 40cm, Sold
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1995 oil on canvas 25 x 40cm, Sold
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1995 oil on Belgian linen 31 x 29cm, Sold
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1995 oil on canvas 180 x 180cm, Sold
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1999 oil on canvas 15 x 25cm, Sold
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1993 oil on primed archival paper 56 x 76cm, Sold
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2008 oil on Belgian linen 60 x 60cm, Sold
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2008 oil on Belgian linen 60 x 60cm, Sold
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2009 oil on canvas on board 20 x 20cm, Sold
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2009 20 x 20cm oil on canvas on board, Sold
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2010 oil on Belgian linen 115 x 200cm, Sold
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2010 oil on Belgian linen 20 x 120cm, Sold
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2010 oil on Belgian linen 45 x 45cm, Sold
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2010 oil on Belgian linen 45 x 45cm, Sold
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2010 oil on canvas 20 x 30cm, Sold
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2010 oil on wood 20 x 35cm, Sold
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2011 oil on wood 60 x 90cm, Sold
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2011 oil on wood 35 x 200cm, Winner, Paintings Category, Waterhouse Prize 2012, Sold
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2011 oil on Belgian linen 122 x 152cm, Sold
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2011 oil on Belgian linen 200 x 115cm, Sold
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2011 oil on Belgian linen 152 x 152cm, in gilded frame, $30,000
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2011 oil on Belgian linen 180 x 300cm, Sold
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2011 oil on canvas 40 x 40cm, Sold
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2011 oil on canvas 45 x 45cm, Sold
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2011-2015 oil on Belgian linen 122x 122cm, $14,000
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2012 oil on board 30 x 180cm, Sold
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2012 oil on Belgian linen 15 x 25cm, Sold
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2012 oil on antique Baker’s paddle 2m in height, Sold
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2012 oil on antique wooden paddle, 200cm in length, Sold
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2012 oil on Belgian linen 152 x 152cm, $25,000
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2012 oil on board 20 x 180cm, Sold
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2013 oil on board 120 x 180xm, Winner, Paintings Category, Waterhouse Prize 2014, $20,000
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2013 oil on Belgian linen 91 x 91cm, $9,000
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2015 oil on wood in hand gilded frame 90 x 60cm, Finalist, Waterhouse Natural History Prize, $6,500
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2017 oil on Belgian linen 20 x 180cm, $7000 (framed)
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1998-2018 oil on Belgian linen 30 x 30cm, Sold
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1998-2018 oil on Belgian linen 30 x 30cm, Sold
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1998-2018 oil on Belgian linen 30 x 30cm, Sold
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1998-2018 oil on Belgian linen 30 x 30cm, Sold
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2021 oil on canvas 30 x 30cm, Sold
“Animals, and in particular, rhinoceros beetles are a recurring image in Richard Dunlop’s paintings where they intersect with themes of taxonomy, museology and changing identities and histories. Richard’s paintings represent traces of unreliable memories, circumstantial evidence and documentation of people, objects and events.” – Ian Galloway (Director, Queensland Museum), 2005
“The young pointer can no more know that he points to aid his master, than the white butterfly knows why she lays her eggs on the leaf of the cabbage. I cannot see that these actions differ essentially from true instincts.” – Charles Darwin, 1859 On the Origin of the Species by Means of Natural Selection
“Dunlop’s enduring response to the idea of connection, and as connected sentient beings humanity’s responsibility to be the good gardeners of our environments. This is a quiet missive, rather than a political statement and as such it resonates deeply with the viewer, like an experience of beauty that is felt rather than rationally understood.” – Marguerite Brown Curator MFA
“Orwell never ends well”. – Bill Maher