“Collage is a new element within Dunlop’s oeuvre. The artist has created large paintings that incorporate collaged reproductions of nineteenth century botanical illustrations. These re glued down to a plywood substrate, torn edges and meeting points between the sheets marking out a haphazard grid, and forming a tacit homage to one of Dunlop’s most admired artists, Ian Fairweather, who used sheets of cardboard abutted against each other as a painting surface. Over these paper records of old world/ new world discovery and exploration, Dunlop has applied his characteristic swathes of colour in broad brushstrokes, where meandering linear marks flow through the compositions to unite the disparate elements contained within.” – Marguerite Brown Curator MFA
“Collages take you more directly to the hand of the artist and deeper emotions of the hand-made and modesty of means.” – Advice from Mark Bradford
“If you are prepared to enter the microworld of one of Dunlop’s paintings they are worth the experiential journey, unlike a body of pictures being made by anyone else today.” – Evelyn Prusenhauer