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2009-2016 oil and acrylic on Belgian linen 152 x 152cm, $24,000
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2016 oil and acrylic on Belgian linen 142 x 132cm, $14,000
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2016 oil on Belgian linen 170 x 170cm, $32,000
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2016 oil on Belgian linen 120 x 120cm, Sold
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2016 oil on wood in hand gilded frame 34.5 x 21.5cm, Sold
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2016 oil on Belgian linen 120 x 120cm, Sold
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2016 oil on Belgian linen 120 x 120cm, $16,500
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2016 oil on Belgian linen 150 x 350cm, Sold
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2016 oil on Belgian linen 150 x 350cm, Sold
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2016 oil on Belgian linen, Sold
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2016 oil on Belgian linen 150 x 350cm, Sold
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2012-2016 oil on linen 132 x 142cm, Sold
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2016 oil on linen 160 x 140cm, Sold
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2014-2016 acrylic and oil on linen 60 x 60cm, Sold
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2014-2016 acrylic and oil on linen 60 x 60cm, Sold
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2014-2016 acrylic and oil on linen 152 x 152cm, $25,000
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2012-2016 oil on linen 152 x 152cm, Sold
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2016 (Collaboration with Kylie Elkington) oil on linen 68 x 64cm, Sold
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2016 oil on wood panel 60 x 90cm, Sold
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2010-2016 oil on Belgian linen 90 x 90cm, Sold
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2016 oil on linen 160 x 140cm, Sold (framed in Tasmanian oak)
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2016 acrylic and oil on linen 60 x 60cm, Sold
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2016 Acrylic and oil on linen 60 x 60cm, Sold
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2016 Acrylic and oil on linen 60 x 60cm, Sold
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2016 Acrylic and oil on linen 60 x 60cm, Sold
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2012-2016 oil on linen 132 x 142cm, Sold
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2016 oil on linen 122 x 152cm, Sold
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2016 oil on Belgian linen 60 x 60cm, Sold
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2016 oil on Belgian linen 180 x 160cm, Sold
“The Perfumed Garden is a lush and almost mystical work that has layers of paint and layers of meaning. His paintings are not literal. They are composites constructed through memory and are imbued with love.” – Phil Brown
“If there is a thread that unites Dunlop’s work regardless of subject, it is the awareness he brings of things that lie outside the realm of tangible matter, such as energy and spirit. This is reflected in the multi-dimensional quality to his work that is both aesthetic and conceptual. Dunlop is often credited with is hybridisation of established genres such as still life, landscape and botanical art, as he borrows conventions freely from each and merges them into a new painterly paradigm within the edges of the canvas. The merging of recognisable imagery from these genres with ambiguous forms, areas of abstraction and multiple perspectives is analogous to the impression of an experience, and the many ways it is absorbed through the mind and body.” – Marguerite Brown, Curator MFA