- 2009 oil on linen 152 x 152cm, Sold
- 2018 oil on Belgian linen 164 x 160cm, Sold
- 2017 oil on linen 150 x 145cm, $22,000
- 2012 oil on Belgian linen 152 x 152cm, $25,000
- 2011 oil on Belgian linen 122 x 122cm, Sold
- 2017 acrylic and oil on linen 90 x 180cm, Sold
- 2017 oil on linen 90 x 90cm, Sold
- 2018 oil on Belgian linen 152 x 172cm, Sold
- 2018 oil on linen 30 x 40cm, Sold
- 2018 oil on linen 61 x 61cm (framed in oak) Finalist, Glover Prize, $7,000
- 2018 oil, acrylic and mixed media 150 x 180cm, Sold
- 2020 oil on Belgian linen 20 x 13cm
- 2020 oil on Belgian linen 120 x 90cm
- 2020 oil on Belgian linen 20 x 25cm
- 2020 oil on Belgian linen 20 x 25cm
- 2020 oil on Belgian linen 200 x 165cm, Sold
“One cannot help but think of Dunlop as an artist with a keen eye for detail and composition, but rather than create work slavishly to the watchwords, he chooses invocation.” – Dr Jonathon McBurnie
“Dunlop’s contribution to the nation’s painting discourse is an entirely original one in which he has consistently incorporated, intersected and challenged the long-established landscape, botanical, figurative and still-life traditions.” – Eric Nash
“The reef series presents Dunlop with a whole new set of challenges, most evidently the treatment of light, and the possibilities of landscapes that don’t simply stretch to a horizon but also extend above and below. Undoubtedly attracted to the challenge, Dunlop acknowledges the reef as a relatively untouched landscape subject offering a subject to play around with depth and space and multi-perspectives of levitating fish. Dunlop employs translucent films of colour, juxtaposed and intermingled with more defined marine life forms, to handsomely approximate the underwater dance of light – a shadow play in which depth perception in every direction is disarmingly distorted, and solid edges are constantly flickering and shifting with refractions triggered by every movement of both form and ocean.” – Eric Nash Curator